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The film is framed as being the recollections of Sergeant Galoup, a former French legionnaire stationed in Djibouti (he’s played with a mixture of cruel reserve and vigorous physicality through the great Denis Lavant). Loosely based upon Herman Melville’s 1888 novella “Billy Budd,” the film makes brilliant use from the Benjamin Britten opera that was likewise influenced by Melville’s work, as excerpts from Britten’s opus take with a haunting, nightmarish quality as they’re played over the unsparing training physical exercises to which Galoup subjects his regiment: A dry swell of shirtless legionnaires standing inside the desert with their arms from the air and their eyes closed just as if communing with a higher power, or frequently smashing their bodies against just one another inside of a series of violent embraces.
It’s tricky to explain “Until the End of the World,” Wim Wenders’ languid, far-flung futuristic road movie, without feeling like you’re leaving something out. It’s about a couple of drifters (luminous Solveig Dommartin and gruff William Harm) meeting and un-meeting while hopping from France to Germany to Russia to China to America around the run from factions of legislation enforcement and bounty hunter syndicates, but it really’s also about an experimental know-how that allows people to transmit memories from one brain to another, and about a planet living in suspended animation while waiting for just a satellite to crash at an unknown place at an unknown time and possibly cause a nuclear disaster. A good portion of it is actually just about Australia.
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Established in Philadelphia, the film follows Dunye’s attempt to make a documentary about Fae Richards, a fictional Black actress from the 1930s whom Cheryl discovers playing a stereotypical mammy role. Struck by her beauty and yearning for any film history that reflects someone who looks like her, Cheryl embarks with a journey that — while fictional — tellingly yields more fruit than the real Dunye’s ever experienced.
by playing a track star in love with another woman in this drama directed by Robert Towne, the legendary screenwriter of landmark ’70s films like Chinatown
A married male falling in love with another guy was considered scandalous and potentially career-decimating movie fare within the early ’80s. This unconventional (in the time) love triangle featuring Charlie’s Angels
Inside the films of David Fincher, everybody needs a foil. His movies frequently boil down on the elastic push-and-pull between diametrically opposed characters who reveal themselves through the tension of whatever ties them together.
A profoundly soulful plea for peace in the guise of easy family fare, “The Iron Giant” continues to stand tall as one of bbc deep studying several best and most philosophically sophisticated American animated films ever made. Despite, xxxvedios Or maybe because of your movie’s power, its release was bungled from the start. Warner Bros.
A dizzying epic of reinvention, Paul Thomas Anderson’s seedy and sensational second film found the 28-year-outdated directing with the swagger of the young porn star in possession of a massive
But when someone else is responsible for developing “Mima’s Room,” how does the site’s blog appear to know more about Mima’s thoughts new hd porn and anxieties than she does herself? Transformatively adapted from a pulpy novel that had much less on its mind, “Perfect Blue” tells a DePalma-like story of violent obsession that soon accelerates into the stuff of a full-on psychic collapse (or two).
Utilizing his charming curmudgeon persona in arguably the best performance of his career, Monthly bill Murray stars as the kind of man no person is fairly cheering for: intelligent aleck Television set weatherman Phil Connors, that has never made a gig, town, or nice lady he couldn’t chop down to size. While Danny Rubin’s original script leaned more into the dark components of what happens to Phil when he alights to Punxsutawney, PA to cover its once-a-year Groundhog Working day event — for your briefest of refreshers: that he gets caught in a very time loop, seemingly doomed to only ever live this Bizarre holiday in this awkward town forever — Ramis was intent on tapping into the inherent comedy in the premise. What a good gamble.
The story revolves around a homicide detective named Tanabe (Koji Yakusho), who’s investigating a series of inexplicable murders. In each scenario, a seemingly ordinary citizen gruesomely kills someone close to them, with no drive and no memory of committing the crime. Tanabe is chasing a ghost, and “Remedy” crackles with the paranoia of standing within an empty room where you hitbdsm feel a presence you cannot see.
is usually a look into the lives of gay Males in 1960's New York. Featuring a cast of all openly gay actors, this can be a must see for anyone interested in gay history.
David Cronenberg adapting a J.G. Ballard novel about people who get turned on by automobile crashes was bound to become provocative. “Crash” transcends the hq porner label, grinning in perverse delight mainly because it sticks its fingers into a gaping wound. Something similar happens while in the backseat of a vehicle in this movie, just one during the cavalcade of perversions enacted because of the film’s cast of pansexual risk-takers.